Scandinavian Institute for Computational Vandalism Presentation by Michael Murtaugh and Nicolas Malevé We were shown computer graphic analysis from a computer’s point of view, where images can be analyzed into various elements, then those elements separated, collated, manipulated in various ways, at least some of which are interesting, and others perhaps you are puzzled by the computer’s

UKS is an institution for international contemporary art and a Norwegian, political membership organization situated in Oslo's city center. www.uks.no – Lyssna

VICE CHAIR: Daniel Sperling, Professor of Civil Engineering and Environmental Science and Policy; Director, Institute of Transportation Studies,. University of Norwegian institute for cultural heritage research, OSLO, Norway. Keywords: computational modelling enabled us to demonstrate that the visual robbery, vandalism and accidental events like fire, landslides, floods, strong winds and 10 sep 2018 utforska hela det utgivna materialet genom ett digitalt gränssnitt som utvecklats av Scandinavian Institute for Computational Vandalism i Oslo. Jun 21, 2007 deteriorating rapidly because of vandalism and lack of care. Through an objective assessment of the problems and constraints of this historic Aug 12, 2019 Adrian College evolved from a theological institute founded Residential Life Damage and Vandalism policies. Damage and computational skills upon graduation. Scandinavian York, Norman York, Late Medieval York,.

Scandinavian institute for computational vandalism

With The Recognition Machine Antje Van Wichelen translates her years of research into photographic archives from the colonial era into an artistic-political installation. Scandinavian Institute for Computational Vandalism Presentation by Michael Murtaugh and Nicolas Malevé We were shown computer graphic analysis from a computer’s point of view, where images can be analyzed into various elements, then those elements separated, collated, manipulated in various ways, at least some of which are interesting, and others perhaps you are puzzled by the computer’s Scandinavian Institute for Computational Vandalism. Governmental » Institutes. Add to My List Edit this Entry Rate it: (3.50 / 2 votes) Translation Find a translation for Scandinavian Institute for Computational Vandalism in other languages: Select another language: - Select - 简体中文 (Chinese - Simplified) 繁體中 … Scandinavian Institute for Computational Vandalism. Computing. Add to My List Edit this Entry Rate it: (2.00 / 1 vote) Translation Find a translation for Scandinavian Institute for Computational Vandalism in other languages: Select another language: - Select - 简体中文 (Chinese - Simplified) 繁體中文 (Chinese - … 2021-03-21 The Danish artist Asger Jorn (1914-1973) established The Scandinavian Institute of Comparative Vandalism which comprised the extensive but unfinished archive of 10.000 years of Nordic Folk Art documented by the French photographer Gerard Franceschi (1915-2001).

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Tillsammans med utvalda konstverk av de Jong visar utställningen även material som utvecklats av Scandinavian Institute for Computational Vandalism i Oslo. Tillsammans med utvalda konstverk av de Jong visar utställningen även material The Scandinavian Institute of Comparative Vandalism was founded by Asger Ellef Prestsæter & Scandinavian Institute for Computational Vandalism, Jakob utforska hela det utgivna materialet genom ett digitalt gränssnitt som utvecklats av Scandinavian Institute for Computational Vandalism i Oslo. Guttorm Guttormsgaard - Norwegian Artist; Nicholas Maleve - Scandinavian Institute for Computational Vandalism (SICV); Mariá Jansen - Senior Curator An Army of Liars – Situationists in Scandinavia – images and documents The Scandinavian Institute for Computational Vandalism utforska hela det utgivna materialet genom ett digitalt gränssnitt som utvecklats av Scandinavian Institute for Computational Vandalism i Oslo.

Scandinavian institute for computational vandalism

The Scandinavian Institute of Comparative Vandalism Danish: Skandinavisk institut for sammenlignende vandalisme is a non-profit cultural institute based in Denmark.. It was founded in 1961 by the Werner Jacobsen from the Holger Arbman of a University of Lund, Sweden.Jorn had recently left the Situationist International, although he continued to help them financially.

2021-03-21 · Corpus ID: 56445581. Scandinavian Institute for Comparative Vandalism @inproceedings{Henriksen2004ScandinavianIF, title={Scandinavian Institute for Comparative Vandalism}, author={N. Henriksen and A. Jorn}, year={2004} } Les activistes des archives Michael Murtaugh et Nicolas Malevé présenterons l’installation The Scandinavian Institute of Computational Vandalism à la #Conférence SIGNAL #5 lors d’une table ronde autour des dispositifs de contrôle et de sécurité. The Danish artist Asger Jorn (1914-1973) established The Scandinavian Institute of Comparative Vandalism which comprised the extensive but unfinished archive of 10.000 years of Nordic Folk Art documented by the French photographer Gerard Franceschi (1915-2001). The interface was developed by the Scandinavian Institute for Computational Vandalism and produced as part of These are Situationist Times, an exhibition, digitization, and publication project developed by Torpedo (Oslo) and Ellef Prestsæter in collaboration with Jacqueline de Jong, Malmö Konsthall and Museum Jorn. The Scandinavian Institute of Comparative Vandalism (Template:Lang-da) is a non-profit cultural institute based in Denmark..

This wiki primarily documents our work with the archives of Asger Jorn's Scandinavian Institute for Comparative Vandalism. Scandinavian Institute for Computational Vandalism (SICV) Archive Has Left The Building Reports from the Gutenberg Galaxy (Blaker) Karin Nygård , Ellef Prestsæter , Anna Prestsæter , et al Matthew Fuller , Scandinavian Institute for Computational Vandalism (SICV) , Ellef Prestsæter , Karin Nygård , Institutt for Degenerert Kunst “Shinn’s motel room contained 26 stolen books and a file full of inventory cards for another 154 volumes. He was well-educated in book history, restoration and binding, and the tools of his trade filled the room: color-stained cloths and Q-tips with jars of shoe polish, used to color-match and conceal library markings on book spines. Scandinavian Institute for Computational Vandalism Presentation by Michael Murtaugh and Nicolas Malevé We were shown computer graphic analysis from a computer’s point of view, where images can be analyzed into various elements, then those elements separated, collated, manipulated in various ways, at least some of which are interesting, and others perhaps you are puzzled by the computer’s The Scandinavian Institute of Comparative Vandalism (Danish: Skandinavisk institut for sammenlignende vandalisme) is a non-profit cultural institute based in Denmark. It was founded in 1961 by the Danish artist Asger Jorn , Peter Glob and Werner Jacobsen from the National Museum of Denmark and Holger Arbman of the University of Lund , Sweden .
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This talk looks into the remarkable analogue archival practices of the artists Asger Jorn and Guttorm Guttormsgaard through the lens of the experimental research group Scandinavian Institute for Computational Vandalism (of which the speaker is a founding member). Scandinavian Institute for Computational Vandalism (signature-wrap D) VANDALIST ICONOPHILIA Scandinavian Institute for Computational Vandalism (pp.39–46) MORE OR LESS (Compiled by) Mark Simmonds (pp.51–58) EXIGENCIES Flights and Fissures / David Whelan (signature-wrap F) NEURO-DEBTS David Whelan (pp.63–65) Nicolas Malevé is a visual artist, computer programmer and data activist who lives and works between Brussels and London. Nicolas is currently working on a Phd thesis on the algorithms of vision at the London South Bank University. He is a member of Constant and the Scandinavian Institute for Computational Vandalism.

The full conference programme, including abstracts and biographies, is available for download as a PDF. 1964: Under the umbrella of his recently established Scandinavian Institute of Comparative Vandalism (sic) Asger Jorn wants to put out a series of some 30 coffee table books relating 10,000 Years of Nordic Folk Art through “continuous collages” (the phrase belongs to his friend and collaborator, the archeologist P.V. Glob) of photographs. Along with two photographers (the Frenchman Gérard Francechi and the Dane Ulrik Ross) and his Dutch partner Jacqueline de Jong, he travels around the Antonio Roberts, TeYosh and the Scandinavian Institute of Computational Vandalism October 27 - December 17, 2016 If you invite an “internet” artist to contribute to an exhibition, can you pay them in “likes”? When Bourdieu came up with his famous theory of Cultural Capital, was he just referring to how many followers he had on Instagram? Scandinavian Institute for Computational Vandalism (SICV) An Image Is More Than the Sum of Its Pixels p.
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Bricks from the Kiln #2 presents its material ‘reordered, recontextualised and reclassified, freed from the archive and fragmented on these pages,’ and includes contributions from Ryan Gerald Nelson, James Bulley, Daphne Oram, Céline Condorelli, James Langdon, Scandinavian Institute for Computational Vandalism, Mark Simmonds, David Whelan, Ron Hunt and Rose Gridneff.

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